Practice approaches
I feel that what distinguishes my practice from much contemporary ecological art is my commitment to uncertainty. Serendipity is not an aesthetic effect but a methodology. I deliberately create conditions in which natural processes participate in the making of the work, then respond through careful refinement. This negotiation between control and surrender becomes the conceptual centre of my practice.
The resulting works invite a slower mode of looking. Marks drift between landscape, memory, cartography and biological trace. Trees become echoes, water becomes stain, and cloth becomes a site where human intention and natural agency meet.
Ultimately, my work asks a profound question: how might we move beyond depicting nature and instead enter into relationship with it?